On Offer – Art Jewelry Forum

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February 2025, Half 2

Greater than ever, all of us might use a deal with! What an uplifting feeling to get a terrific piece of artwork jewellery for your self whereas celebrating and supporting artists and the galleries who present them!

Artwork Jewellery Discussion board’s worldwide gallery supporters have a good time and exhibit artwork jewellery. Our bi-monthly On Supply collection permits this intensive community of worldwide galleries to showcase extraordinary items personally chosen to tempt and encourage you. Have a look. You’re sure to discover a implausible piece you merely can’t stay with out! (Please contact the gallery straight for inquiries.)

Catherine Buddle, Silver Anemone with Ni, 2024, neckpiece in hand-crocheted silk/silver passementerie thread C1890, antique silver sequins, silk cord pendant, 2 ¾ x 2 x 2 ¾ inches (70 x 50 x 70 mm), photo: Jane Bowden — Catherine Buddle, *Silver Anemone with Ni,* 2024, neckpiece in hand-crocheted silk/silver passementerie thread C1890, vintage silver sequins, silk twine pendant, 2 ¾ x 2 x 2 ¾ inches (70 x 50 x 70 mm), photograph: Jane Bowden

Gallery: Zu design, Adelaide, Australia (click on the gallery title to hyperlink to its web site)
Contact: Jane Bowden (click on the gallerist’s title for e mail)
Artist: Catherine Buddle
Retail worth: AUS$2,400
“I selected Catherine Buddle’s Silver Anemone with Ni neckpiece this month as she is without doubt one of the artists in Radical Textiles,” states Zu design’s gallerist, Jane Bowden. The present is presently on the Artwork Gallery of South Australia till March 30, 2025. Buddle collects vintage threads and makes use of a really wonderful 0.4-mm crochet hook to hand-crochet her kinds. The silver sequins on this explicit piece are crocheted into place as the shape grows. The completed piece has a beautiful shimmer because the sequins transfer and replicate gentle.

J Taran Diamond, Wet-a-Bed, 2024, brooch in recycled sterling silver, freshwater pearls, powder coat, stainless steel, silk, 2 x 6 x ¾ inches (51 x 152 x 19 mm), photo courtesy of the artist — J Taran Diamond, *Moist-a-Mattress,* 2024, brooch in recycled sterling silver, freshwater pearls, powder coat, stainless-steel, silk, 2 x 6 x ¾ inches (51 x 152 x 19 mm), photograph courtesy of the artist

Gallery: Baltimore Jewelry Center, Baltimore, MD, US (click on the gallery title to hyperlink to its web site)
Contact: Allison Gulick (click on the title for e mail)
Artist: J Taran Diamond
Retail worth: US$920
J Taran Diamond is a metalsmith, craft educator, and internationally revealed scholar as regards to jewellery, and primarily based in Baltimore, MD, US, the place she is presently a educating fellow and studio supervisor. We regularly think about our identities and our bodies as mounted, remaining variations of ourselves. In actuality, although, we’re repeatedly shedding outdated points of ourselves and incorporating new ones. Moist-a-Mattress is a mirrored image on this steady shift between states. The removing of a floor reveals a brand new floor beneath it; this new floor just isn’t meaningfully extra true to the thing, just one that’s subsequent for the thing.

Sofia Bankeström, Fly, 2018, brooch in juniper wood, silver, 3 ¾ x ¾ x ¾ inches (95 x 20 x 20 mm), photo: Four — Sofia Bankeström, *Fly,* 2018, brooch in juniper wooden, silver, 3 ¾ x ¾ x ¾ inches (95 x 20 x 20 mm), photograph: 4

Gallery: Four Gallery, Umeå, Sweden (click on the gallery title to hyperlink to its web site)
Contact: Karin Roy Andersson (click on the gallerist’s title for e mail)
Artist: Sofia Bankeström
Retail worth: €250
Wooden is a cloth that’s each useless and alive on the identical time. Although the tree has stopped rising, it continues to alter via Sofia Bankeström’s processing, and is affected by circumstances comparable to humidity and light-weight. The dynamics of the fabric replicate the fixed transformation in nature and in our personal lives.

Petra Class, Emerald Earrings in emerald, 18-karat gold, 22-karat gold, approximately 1 x ½ inch (25 x 13 mm), photo: Pistachios — Petra Class, *Emerald Earrings* in emerald, 18-karat gold, 22-karat gold, roughly 1 x ½ inch (25 x 13 mm), photograph: Pistachios

Gallery: Pistachios Contemporary Art Jewelry, Chicago, IL, US (click on the gallery title to hyperlink to its web site)
Contact: The Pistachios Team (click on the title for e mail)
Artist: Petra Class
Retail worth: US$4,645
Gorgeous ethically sourced emeralds are set in 22-karat gold and collaged collectively to create a traditional pair of earrings which can be timeless in design. With 18-karat gold publish backs, this pair by Petra Class is your subsequent heirloom piece. Class’s designs discover shade and texture, mixing European artisanal custom with California’s natural, nature-inspired ethos.

Natalie Lowe, House Dream I, brooch in copper, spray paint, steel pin, 2 ¾ x 2 ¼ inches (70 x 57 mm), photo courtesy of GLG — Natalie Lowe, *Home Dream I,* brooch in copper, spray paint, metal pin, 2 ¾ x 2 ¼ inches (70 x 57 mm), photograph courtesy of GLG

Gallery: Gravers Lane Gallery, Philadelphia, PA, US (click on the gallery title to hyperlink to its web site)
Contact: Chloe Le Pichon (click on the gallerist’s title for e mail)
Artist: Natalie Lowe
Retail worth: US$990
A flying suburban home picked up by a gust of wind, with an upside-down picket fence, as if wings, trailing together with it … this evocative piece suggests quite a lot of imaginative narratives. This light-weight brooch can be perched on its custom-made wall stand, to brighten the home in addition to adorn the physique. Natalie Lowe’s work contemplates longing, privateness, intimacy, and interiority. Over the course of her profession as an artist, she has gained a number of awards in juried exhibitions, has exhibited work nationally, and has been the recipient of a number of grants and fellowships. She is presently a visiting educating professor of metals & jewellery and foundations at Ball State College.

Felieke van der Leest, Peek-a-Puma, 2014, ear clips in plastic toy animals, 14-karat gold, each 2 ¾ x 2 x ⅝ inches (70 x 50 x 15 mm), edition of 4, photo: artist — Felieke van der Leest, *Peek-a-Puma,* 2014, ear clips in plastic toy animals, 14-karat gold, every 2 ¾ x 2 x ⅝ inches (70 x 50 x 15 mm), version of 4, photograph: artist

Gallery: Platina, Stockholm, Sweden (click on the gallery title to hyperlink to its web site)
Contact: Sofia Bjorkman (click on the gallerist’s title for e mail)
Artist: Felieke van der Leest
Retail worth: US$2,800
The title of this humorous pair of ear clips is Peek-a-Puma. They’re made from plastic toy pumas, gold, and textile. Throughout her profession, Felieke van der Leest has developed a private fashion involving points such because the setting, animal care, and social conduct, all the time with a humorous however severe twist. She is a jewellery artist from the Netherlands, primarily based in Norway since 2008. In 1996, she graduated from Gerrit Rietveld Academie Jewelry Design, in Amsterdam. Her work may be discovered in lots of non-public and public collections world wide.

Catarina Silva, Herbarium, 2024, necklace in glass beads, plastic flowers, paint, 9 x 9 x ¼ inches (230 x 230 x 5 mm), photo: artist IG: @galeria_tereza_seabra — Catarina Silva, *Herbarium,* 2024, necklace in glass beads, plastic flowers, paint, 9 x 9 x ¼ inches (230 x 230 x 5 mm), photograph: artist
IG: @galeria_tereza_seabra

Gallery: Galeria Tereza Seabra, Lisbon, Portugal (click on the gallery title to hyperlink to its web site)
Contact: Tereza Seabra (click on the gallerist’s title for e mail)
Artist: Catarina Silva
Retail worth: €1,600, plus delivery
Catarina Silva presents a brand new romantic physique of labor with intricate beading, weaving, and painted by hand flowers impressed by Emily Dickinson’s Herbarium poetry:
“The Solar—simply touched the Morning—
The Morning—Blissful factor—
Supposed that He had come to dwell—
And Life could be all Spring!

She felt herself supremer—A Raised—Ethereal Factor!
Henceforth—for Her—What Vacation!
In the meantime—Her wheeling King—
Trailed—sluggish—alongside the Orchards—
His haughty—spangled Hems—
Leaving a brand new necessity!
The need of Diadems!

The morning—fluttered—staggered—
Felt feebly—for Her Crown—
Her unanointed brow—
Henceforth—Her solely One!”

Giovanni Corvaja, Earrings, 1999, in 18-karat gold, niello, 1 ⅛ x 1 ⅛ x ¾ inches (30 x 30 x 20 mm), photo courtesy of Salotto SPJ — Giovanni Corvaja, *Earrings,* 1999, in 18-karat gold, niello, 1 ⅛ x 1 ⅛ x ¾ inches (30 x 30 x 20 mm), photograph courtesy of Salotto SPJ

Gallery: Salotto SPJ, Milan, Italy (click on the gallery title to hyperlink to its web site)
Contact: Josefine Spjeldnaes (click on the gallerist’s title for e mail)
Artist: Giovanni Corvaja
Retail worth: €41,000, plus VAT
These gold earrings showcase the celebrated technical and poetic mastery of famend goldsmith Giovanni Corvaja. Composed of a whole lot of tiny squares of delicate gold wire, each meticulously soldered into place inside a stable body, the pendant’s design is an intricate net of evenly spaced strains that fill the whole kind. Using niello drops accentuates the notion of transparency and quantity. This piece exemplifies Corvaja’s modern method to working with gold, remodeling the fabric into a wide ranging murals that blurs the road between construction and fluidity. Corvaja’s work is represented in prestigious museums and collections globally.

Kira Yurina, Objewelry_acryl18545, 2020, brooch in colored acrylic, teak, 2 ¼ x 3 ⅜ x ¾ inches (57 x 85 x 20 mm), photo: Galeria Reverso — Kira Yurina, *Objewelry_acryl18545,* 2020, brooch in coloured acrylic, teak, 2 ¼ x 3 ⅜ x ¾ inches (57 x 85 x 20 mm), photograph: Galeria Reverso

Gallery: Galeria Reverso, Lisbon, Portugal (click on the gallery title to hyperlink to its web site)
Contact: Paula Crespo (click on the gallerist’s title for e mail)
Artist: Kira Yurina
Retail worth: €580
Kira Yurina is a Japanese artist who has developed her work between wall objects and jewellery that she describes not as equipment, however as small installations that improve emotions. To specific her curiosity from this attitude, Yurina created the time period “objewelry,” which encompasses the imprecise existence of a boundary between inventive objects and jewellery. This brooch highlights her meticulous craftsmanship, which skillfully incorporates supplies comparable to teak and acrylic.

Aaron Brown, Ruru, 2024, (left) necklace in honey agate, 3 ½ x 1 ⅝ x ⅝ inches (90 x 40 x 15 mm), (right) necklace in carnelian, photo: Michael Couper — Aaron Brown, *Ruru,* 2024, (left) necklace in honey agate, 3 ½ x 1 ⅝ x ⅝ inches (90 x 40 x 15 mm), (proper) necklace in carnelian, photograph: Michael Couper

Gallery: Fingers Gallery, Auckland, New Zealand (click on the gallery title to hyperlink to its web site)
Contact: Lisa Higgins (click on the title for e mail)
Artist: Aaron Brown
Retail worth: NZ$890–NZ$980
Aaron Brown makes work that displays his deep love of nature—birds, leaf kinds, bugs, and nature-inspired summary patterns. He enjoys the problem of representational or practical carving and the purpose of capturing a small slice of the topic’s persona in stone. “Though I get pleasure from the entire pure world, wildlife from house is all the time particular,” states Brown. “After I carve species native to New Zealand I prefer to make an additional connection by utilizing stone from NZ: Pounamu, NZ Agate, Greywacke, and so on. Making native species out of native stone simply matches.” Native to NZ, the morepork owl is thought for its haunting, melancholic name. This sound offers it the Māori title “ruru.”

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